Nearly any Mozart Fantasy, Progressive Items and Giving voice a Melody

In this month’s practice clinic, Graham Fitch answered questions on tips for practising a passage from Mozart’s Fantasy in C minor (K475), starting a new piece with Tchaikovsky’s Sweet Dreams used as a demonstration and bringing out the melody in an excerpt from Chopin’s Fantasie-Impromptu.

Practice clinic questions

WA Mozart – Fantasy in C minor, K475 – I’m wondering the best way to learn and practice the Piu Allegro section is as I have no idea really how to go about it properly without making a mess of it!
Learning a New Piece (Tchaikovsky Sweet Dreams from Album for the Young) – Your books are my first exposure to any type of practice or even the fact that there was a way one can practice other than sight reading and then playing the piece over and over! Can you suggest how I go about learning a new piece from scratch, including planning practice sessions and selecting which practice tools to use?
Chopin – Fantasie-Impromptu in C-Sharp Minor, Op. 66 – I watched your walkthrough of this piece again and while your advice helps a lot, I am missing one detail concerning bars 17-21: what kind of movement and what kind of exercises do you recommend for bringing out the melody with the fifth finger? I have no problem bringing it out with the thumb, but 17-21 do not work well. Furthermore: in some bars of this section (16, 22-24) there is no melody (according to Henle), do you make these parts sound very different? And if so, how?

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